What is it that makes it a decision when and if the painting is finished? The more the mind is involved, the less the final picture seems to be real. A priori and even a posteriori knowing does not work. The paintings are not of those who wait for the dawn of a day even if they keep the light. Who decides? The Occasion, the Encounter, the Real, in its indefatigable expression.. in order to designate reality, all that is known must come to an end.